Bad Cat Lynx ToneX Captures
Guitarist Pat Reilly
Boutique California amp tones with a unique blend of chime and high-gain punch. Great for alternative, indie, and modern rock.
These are ToneX captures of amps I own, not generic presets. Mix-ready files include the cab and mics. Amp-only files need your own IR. Hear each pack against the real amp, then buy the capture.

Captures $2. Bundles $5. Total bundle $25.
IK Multimedia's ToneX software is absolutely amazing. As someone that owned and played both the AXE FX II and III, I can tell you that ToneX is not only more accurate than the fractal but also more obtainable; not to mention it feels exactly like I'm playing through my amp.
Since the release of ToneX, I have modeled every amp that I own and now use those models exclusively for writing and recording. IK Multimedia really knocked it out of the park with this software. I highly recommend that you check out ToneX!
If you purchase ToneX through my links, I earn a small commission. My link is right below.
Samples from Youtube have some EQ and master processing. Audio files are completely raw.
Capture the sheer power and deep saturation of the Bogner Uberschall Ultra. Built for brutal high-gain riffing, djent, and extreme metal, with tight low end and searing leads.
Bogner Uberschall Ultra, amp-only ToneX capture with tight focused chug. Needs your IR.
Classic ‘90s Marshall crunch with punchy mids and vintage bite. Tailored for hard rock, punk, and alternative guitarists.
1990s Marshall JCM 900, low gain, no boost. Mix-ready ToneX capture. Pair with Brutal 900 for the Ages-boosted version.
1990s Marshall JCM 900, boosted with a Walrus Audio Ages. Mix-ready high-gain ToneX capture for hard rock and metal. Pair with the JCM 900 Low Gain capture for the unboosted amp.
Experience the crushing gain and clarity of the EVH Stealth 50 amp, captured for ToneX. Perfect for modern metal riffs, tight palm mutes, and soaring leads.
EVH 5150 Stealth 50 watt head, Red channel, gain at 6. Mix-ready ToneX capture. Cab: Voodoo Oversized 2x12, Warehouse V30s, dual SM57, Fredman technique. Hear it against the real amp on the ToneX Captures page.
EVH 5150 Stealth, Blue channel. Mix-ready ToneX capture of my 50 watt head. Same cab and mics as the Red capture (Voodoo Oversized 2x12, Warehouse V30s, dual SM57, Fredman).
EVH 5150 Stealth, Red channel, extra-chunky high-gain version. Mix-ready. Brutal on its own; it will not sit well in a mix without processing. Same cab and mics as Stealth Red.
EVH 5150 Stealth, Green channel, gain at 3. Mix-ready ToneX capture. Same cab and mics as Stealth Red.
A punchy, British-flavored high-gain capture of the iconic 5150 EL34. Aggressive rhythm tones and articulate solos for hard rock and metal.
A modern metal staple. This Peavey XXX capture delivers thick distortion, scooped mids, and plenty of sustain for heavy riffing.
Peavey XXX, mix-ready ToneX capture. Thick distortion for heavy riffing.
Versatile tones from sparkling cleans to heavy distortion, inspired by the Grand Meister 40. Great for players who need a wide tonal palette.
Hughes and Kettner Grand Meister 40, version two. Mix-ready ToneX capture. Set input gain/DI to taste.
Ultra channel, no boost. Mix-ready chunky high-gain ToneX capture.
Clean with slight breakup. Mix-ready ToneX capture.
Medium overdrive with light reverb. Mix-ready ToneX capture.
All Grand Meister ToneX captures, from clean to high gain.
Iconic boutique amp tones with thick mids and smooth gain. These captures nail the Bogner Ecstasy 3534 legendary sound for modern rock and fusion.
Raw mix-ready rhythm ToneX capture. Needs processing to sit in a mix.
Red channel, boost on, gain rolled back slightly, bass one notch below 12 o’clock. Mix-ready ToneX capture.
Bundle exclusive. Mix-ready ToneX capture.
Full Chunk, Evil Smooth, Boosted Blue Lead, Boosted Red and In Orbit. Two of these captures are bundle-only.
Captured through a Neve 5057 Orbit summing mixer. Bundle exclusive.
Clean channel, amp-only ToneX capture. Needs an IR.
Blue channel, amp-only ToneX capture. Needs an IR.
Blue channel boosted, amp-only ToneX capture. Needs an IR.
Red channel high gain, amp-only ToneX capture. Needs an IR.
Engl Savage 120 MKII amp-only ToneX capture. Must use with an IR.
